Tuesday, November 17, 2009

The Latest from Boing Boing

The Latest from Boing Boing

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Chip Sounds

Posted: 16 Nov 2009 02:22 PM PST

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Photo: Mikael Altemark

Plogue's Chipsounds recreates the audio produced by eight vintage computer systems. The designers claim that it's the most accurate emulator yet, letting artists make authentic old-school tunes with the latest music-making software.

"Chip music sounds like nothing else," said David Viens, who co-founded the Canadian developer in 2000. "It boasts a totally separate sonic spectrum than the other forms of electronic music. It brings back fond memories."

Mimicking vintage hardware like the AY-3-8910 (arcade games), POKEY (Atari 400/800) and the legendary MOS Technology SID (Commodore 64), Chipsounds plugs into apps such as Logic Pro and GarageBand. According to the blurb, musicians can even use the same "abusive" technical tricks that gave the original machines a creative lifespan far beyond their commercial shelf lives.

Most extant emulators fall short of perfection, leading chiptune musicians to do it the hard way, hand-programming ancient hardware or buying expensive recreations.

Seth And Michelle of chiptune duo 8 Bit Weapon (free downloads), for example, produce their own albums and create music for the likes of Disney, Nokia, Microsoft and Sony.

"Emulators are usually a taste of what you are trying to achieve," they wrote in an email. "For instance, SIDplay is an emulator that plays Commodore 64 game tunes without having to load the game to hear the music. ... Although it sounds a lot like a real C64, it's missing a lot of subtle nuances the SID chip is known for, such as the phat analogue style filters and warmth."

Chipsounds, however, nails it: "We couldn't believe how good the emulations were for the chips," said Seth.

Viens, whose favorite chip is Atari's TIA ("Raw, powerful, can make awesome basses and leads"), says that his interest in music and sound began at a young age: a VIC-20 and a Colecovision were his first platforms.

"Another lucky kid on the block had a C64, and I remember I brought a tape recorder in order to record the sound and music it made, so that I could convince my dad how good it was, to help my case."

With two other computer science grads at the Université de Montréal, he founded Plogue in 2000 to develop experimental music software. Bidule, which lets the musician hook sound-making modules together with a tentacular mass of virtual cables, was popular enough to encourage them quit successful day jobs as programmers. They soon scored contracts in the industry, allowing them to "indulge" the sound of classic gaming: trawling eBay and yard sales, buying old music-related cartridges for obsolete game consoles, and building DIY synths with whatever could be found.

Viens, however, found that the clunky hardware worked at odds with his inspiration: "The logic/geek part of the brain and the musically inspired one are very separate." Dissatisfied with existing emulators' poor rendering and poor Mac support--not to mention the fact that no-one had yet attempted to analyze and emulate some classic audio chips--they set about developing Chipsounds.

Freeing musicians from having to acquire, set up and program vintage hardware is no mean feat. To emulate integrated circuits, Viens would mount original chips on breadboard, develop custom software to send the commands they understand, and then sample the output at 192Khz 24-bit PCM audio.

The samples were then analyzed to uncover the mathematical models that generated them. Though the same technique as used by many others, Viens said that the usual focus on game emulation results in variable quality. Chipsounds represents the first time a whole set of chips has been emulated by a team of"sound maniacs."

But it's still not perfect in every respect. Each console has its quirks and secrets, and the most difficult to model was the SID chip.

"I can't say that our emulation of it is perfect, but we hope to get it there one day. It's like this great mystical quest."

To non-fans, that "mystical" element may seem at odds with the music's superficial primitiveness. Part of the appeal comes from its clarity, its uncompromising electronic purity. Musicians also enjoy how chip music's limitations force them to focus on the basics, like melody and structure. But it's also fed by nostalgic memories of childhood, of hours spent bathed in square waves and glowing phosphors.

"Thats why many chiptune/micromusic artists tend to gravitate toward one machine to do their music with," said Seth. "It tends to be the one they grew up with. ... Many young people today had never been exposed to the lo-fi glory that is 8 bit chip music. To the new generation, these are raw, almost punk-esque soundscapes that they are just discovering."

Chipsounds is $95 and available from the product page.

DRM-free, free-as-in-beer Dutch Little Brother ebook

Posted: 17 Nov 2009 03:41 AM PST

Uitgeverij De Vliegende Hollander is the Dutch publisher for Little Brother, and they've really put a big push behind it. Unfortunately, they're also locked into distributing their catalog as DRM-crippled ebooks through an online retailer that is the only major ebook vendor in the Netherlands.

But they're good folks at my publisher, and they're not fond of DRM either. When I asked them if there was some way we could sell the ebook without DRM, they told me that it was impossible (only one major ebook vendor, remember?), but would I mind if they just gave away the ebook in DRM-free ePub form?

Would I mind? That's a dandy solution! Here's a link to the free, DRM-free Dutch ePub version of Little Brother. Tell your (Dutch) friends, and be sure to stay clear of that infected DRM copy that's being sold.

Little Brother ePub (DRM-free) (Thanks, Rienk!)

Arrr, This be pleasin' to me uterus

Posted: 16 Nov 2009 10:20 PM PST

Piratearr.png It is old news that Facebook has a language option for Pirate English. But the mundane and bemusing juxtapositions it creates in the ad column never grow old. [Thanks, Heather!]

Karen Armstrong's TED Prize: Charter for Compassion

Posted: 16 Nov 2009 08:25 PM PST


Bonnoe says: "The folks at the TED Prize have been working with partners around the world to fulfill the wish of best-selling author and former nun, Karen Armstrong – the Charter for Compassion. The Charter is a document collaboratively written with contributions from thousands of people from more than 100 countries. With a sense of urgency, the Charter is a call to action for all of us to live more compassionately with each other in the hopes of ending global suffering. People from every corner of the world – including Oslo, Buenos Aires, Vancouver, Tehran, Capetown, Sydney, San Francisco, Mumbai and more - have embraced the Charter's inclusive message by affirming the Charter at the Charter for Compassion website and posting the official widget on their blogs in a show of solidarity (see below). It's a powerful message and one that we wanted to share."

Charter for Compassion

100-word fiction competition — win an HP MediaSmart EX495

Posted: 16 Nov 2009 07:50 PM PST

fl705aa_300.jpgThe prize is a $700 HP MediaSmart EX495 PC, set up as a Windows home server, with 1.5TB of storage and Mac/Time Machine support. The winner shall be chosen at arbitrary whim. Runners-up get something random from the gadget dungeon. The theme is "Found in Space." 100 words long. Go!

Silly udder pitcher

Posted: 16 Nov 2009 04:41 PM PST

Udder-Pitcher

I got all the enjoyment I can get from this picther by looking at the photo. No need to spend $22, as the milk I buy already comes in a carton. Heffer pitcher

Senators draw maps of their home states

Posted: 17 Nov 2009 01:10 AM PST


Marilyn sez, "To kick off Geography Awareness Week, National Geographic asked all the senators in Congress to draw their home states freehand. Some of the results are pretty funny!"

(Shown here: Al Franken's cartographically masterful Minnesota rendering)

Senators: Can You Draw Your State? (Thanks, Marilyn!)



The decline of civilization symbolized in a modern light socket

Posted: 16 Nov 2009 03:31 PM PST


Recently I was replacing an old socket in a recessed ceiling fixture in our kitchen. The insulation on the wire was very old. Here's what the old socket looked like:

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It was coated with gradoo, so I went to the local hardware store and bought a spanking new socket:

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When I got home, I discovered that the wires on the socket weren't long enough to make it to the junction box. I couldn't replace the short wires with longer ones because they were riveted to the socket. This is a crappy, user-hostile design. When the wires go bad, you have to throw the entire thing away.

Fortunately, I still had the old light socket, and I had some extra wire, so I was able to rewire the old light socket. Hurray for repairable stuff of yesteryear!

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Scooby Doo Apocalypse tee

Posted: 16 Nov 2009 03:08 PM PST


Travis Pitts's awesome Scooby Doo/Zombie mashup design is now a (limited time) Threadless tee!

We've Got Some Work To Do Now by Travis Pitts

How to make an electric bass guitar from a 2X4

Posted: 16 Nov 2009 02:30 PM PST

2X4Bass This 1961 issue of Science & Mechanics features instructions for building an electric bass out of a 2 x 4 (left). Lot of other homemade instrument plans are available at Cigar Box Nation.

Fun with a 2 x 4 electric bass

Peter Bagge comic about Ayn Rand

Posted: 16 Nov 2009 12:50 PM PST

Happy birthday, LSD

Posted: 16 Nov 2009 12:32 PM PST


"LSD was first synthesized on November 16, 1938 by Swiss chemist Dr. Albert Hofmann at the Sandoz Laboratories in Basel, Switzerland." (Thanks, Mike!)

The Senster - robotic sculpture from the late 1960's

Posted: 16 Nov 2009 12:03 PM PST


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Today and Tomorrow has some photos and a video of a cool robotic sculpture from the late 1960s, designed by Edward Ihnatowicz. Senster would be right at home at Maker Faire!

The Senster was a robotic sculpture developed by Edward Ihnatowicz in the late 60's. It was commisioned by Philips and part of their permanent showplace, the Evoluon, in Eindhoven between 1970 and 1974. It was the first robotic sculpture to be controlled by a computer and could react to the behaviour of the visitors with its sound and movement sensors. The computer used to control The Senster was a Philips P9201 and had only 8K of core memory. Now, almost 40 years later, every interaction student could make something like this and fit the logic in a small box. But this is still an amazing project.
The Senster (Via Mt. Holly Mayor's Office)

After parties held in abandoned newspaper boxes

Posted: 16 Nov 2009 11:55 AM PST



Prankster/artist Jason Eppink threw "Print After Parties" inside newspaper boxes in honor of the the death of print. Very clever. From Eppink's project description:
Abandoned by floundering media conglomerates, thousands of neglected newsracks command valuable real estate on busy street corners across New York City, remnants of diminishing demand and a disintegrating economy. Many have already been reclaimed and transformed by urban alchemists, whether as canvases for stickers and paint or clever conceptual works that turn the once important vessels of information into repositories for garbage.

The Print After Parties continue this line of collaboration with blinking LEDs, disco balls, cut-out silhouettes, and handheld radios. When the last vestiges of a collapsed empire litter the landscape, there's only one thing to do: throw a bumpin' party and dance on the ruins.

Jason Eppink (Thanks, Imaginary Foundation!)

Conservative children's book vilifies Nancy Pelosi

Posted: 16 Nov 2009 11:18 AM PST

radicals ruining.jpg A new conservative children's book titled Help! Mom! The Radicals Are Ruining My Country! prominently features Nancy Pelosi as an evil villain. Author Katharine DeBrecht, whom you may have seen on Fox News, explains:
When Nancy Pelosi was elected Speaker of the House all we heard was how wonderful it was that a mother and grandmother rose through the ranks to such a position. In reality, that mother and grandmother has played an enormous role in ensuring that our children and grandchildren are shackled with debt for decades to come.


Laser interface for bionic limbs

Posted: 16 Nov 2009 10:51 AM PST

Researchers are developing a laser-based system to connect the human nervous system to robotic prosthetic limbs. Brain-machine interfaces provide the output for controlling prosthetics but ideally the system would also provide feedback, for example the sensation of picking up an object. The challenge is that electrodes wired to a particular nerve can also zap surrounding nerves, triggering false sensations. Vanderbilt University researchers developed a method to precisely stimulate nerves with pulses of a laser. From IEEE Spectrum:
Using a similar laser aimed at the sciatic nerve of laboratory rats, they caused some part of the animal's legs to involuntarily twitch with each laser pulse. A slight movement of the beam across the nerve bundle—which causes the narrow beam to shift its focus from one fiber within the nerve to another—can cause the rat to switch from, say, curling its toes to flexing its foot.

Stimulating nerves with lasers, says Anita Mahadevan-Jansen, a professor of biomedical engineering at Vanderbilt and the person who hit upon the idea of using light instead of current, may someday make artificial limbs as dexterous as human arms and might lead to such devices as patches that zap nerves to give relief to chronic pain sufferers...

To make the device as compact and inexpensive as possible, the researchers wanted to use a diode laser like the ones used in CD players and laser printers, says Jansen. For human trials, the Vanderbilt researchers are currently working with Aculight Corp., a Bothell, Wash.–based maker of laser systems for military applications, to ready a diode laser–based prototype that is roughly the size of a hardcover book.

The prototype laser has been used in the surgical suite at Vanderbilt's children's hospital during rhizotomy procedures in which a nerve identified as the cause of debilitating spastic jerking is removed from children with cerebral palsy. Before the nerve is cut, the laser is fired on it, and its response is recorded.
"Engineers Work on Laser-Based Brain-Machine Interface for Prosthetic Arm" (Thanks, Chris Arkenberg!)

Lou Jing, half black Chinese girl, sparks race debate in China

Posted: 16 Nov 2009 11:14 AM PST

lou jing.pngA 20-year old Shanghai woman of mixed race has sparked a discussion about race in China. Lou Jing is half black; she was raised by a Chinese mother and speaks and acts like any other Chinese girl. But when the aspiring TV anchor entered an American Idol-like contest and rapped on-stage, she attracted both sensational admiration and ignorant hate. The presenters adoringly called her "chocolate girl" on stage — meanwhile, on web forums, people called her gross and ugly and criticized her mother for having sex with a black person out of wedlock. In an interview with NPR's All Things Considered, Lou Jing says: "I've always thought of myself as Shanghainese, but after the competition I started to have doubts about who I really am." Lou Jing has never met her dad, who left China without knowing he had gotten her mom pregnant. She hopes to study journalism at Columbia University.

Stories about Lou Jing on NPR, Time, Shanghai Daily Image via Shanghai Daily

Springy origami toy made from a sheet of paper

Posted: 16 Nov 2009 01:01 PM PST

Ani Spring Here's a neat spring you can make (if you have a lot of time and patience) by folding a piece of paper.

UPDATE: I changed the link, as the other one might have pointed to malware. Origami Spring, invented by Jeff Beynon (Via Evil Mad Scientists)

Leopard seal teaches photographer how to catch penguins

Posted: 16 Nov 2009 05:31 PM PST

Brian Lam showed me this amazing short video yesterday. It chronicles an encounter that National Geographic photographer Paul Nicklen had with a giant leopard seal in Antarctica who, over the course of four days, fed penguins to his camera and tried to teach him how to catch prey.

Animation: Lil Cthulhu

Posted: 16 Nov 2009 10:57 AM PST

Lovecraftians rejoice! Thanks to Lil Cthulhu, it's much easier to initiate our young ones into the magic of the Great Old Ones! Animation by Zachary Murray with the voice of Erika Fontana. From the video description:
Meet little Cthulhu, who lives in the magic city of R'lyeh with all his friends, as you and your child embark on a fun and educational journey through the world of the Great Old Ones, meeting all kinds of new buddies from the Necronomicon along the way, from Azathoth to Yog-Sothoth! This series has won multiple awards and has been enthusiastically approved by the department of child-developmental psychology at Miskatonic University.
The Adventures of Lil Cthulhu (Thanks, Gareth Branwyn!)

Laughing Squid at Kennedy Space Center for shuttle launch

Posted: 16 Nov 2009 10:59 AM PST

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The Space Shuttle Atlantis STS-129 is set for liftoff today and BB pal Scott Beale is a few miles from the launch pad with camera-in-hand. He's participating in the NASA Tweetup at the Kennedy Space Center. Check out Laughing Squid for Scott's launch day photos. "NASA Tweetup At Kennedy Space Center For Launch of Space Shuttle Atlantis STS-129"

H1N1: It's Pronounced "Hiney"

Posted: 16 Nov 2009 09:27 AM PST

Great shots from the Boing Boing Flickr pool

Posted: 16 Nov 2009 09:24 AM PST

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10 Mpixel di finissimo cioccolato by Latente.


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Letter Men by Baltimore City Paper/Frank Hamilton.

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Inoculation Squad, by Pharmastorm.

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DSC00053, by Openfly. (Don't miss his iPhone etching, originally up at BBG)

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Holy Mary Machine by Latente.

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King Diamond by Reddevil1.

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Walking down the outer stairs at the DeYoung, by Steve Rhodes.

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Fallen Astronaut, NASA/crew of Apollo 15, via Latente.

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Unimasters by Gert-Jan Akerboom via Kunstraum Richard Sorge.

More: Lukasch's WTF dice and Hashtag challenge; Clever Cake Studio's World of Warcraft Gnome Cake and Firefox Cake; and the droolworthy Xserve+Xraid+Xsan+Xgrid.

Add your pic to the Boing Boing flickr pool!. (And please give it a CC license so we can blog it without assuming permission from the pool status.)

Is There Really A Water Crisis?

Posted: 16 Nov 2009 08:58 AM PST

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"When I say there is no water crisis, you must be wondering, 'Is this guy talking to his hat?'" That's how Asit Biswas led off his speech last month at the 2009 Nobel Conference. And--oddly worded idiom aside--he was right. That's exactly what everyone was thinking.

The Conference--really a lecture series timed to coincide with the distribution of Nobel Prizes--brings Nobel winners and eminent researchers from around the world to Gustavus Adolphus College in St. Peter, Minnesota. All the lectures orbit a central theme. This year, it was water. Or, rather, the lack of water. Most of the speakers talked about the risk of losing this important resource--how we humans threaten our own water supply, how that puts us at risk for a whole mess of trouble, and how we might be able to tackle the global water crisis.

But that crisis is a myth, according to Biswas. He's the president of the Third World Centre for Water Management and winner of the 2006 Stockholm Water Prize, and he says that there's plenty of water to go around. Freaking out about water supply is pointless, he says. Worse, it wastes time and resources that could be used to fix the world's real problem--actually getting the water to the people.

To find out more about why Biswas thinks global institutions like the United Nations and the World Bank are dead wrong on water, I called him for a post-Nobel Conference interview.

I want to make sure I understand your position correctly. You say there's not a shortage--or coming shortage--of water. That the real problem is infrastructure. Is that correct?
Asit Biswas: Absolutely correct. Neither in developed or developing countries is there a physical scarcity of water. The problem is lack of infrastructure, and more importantly, the lack of management. And those are things that are bad in both the developing and developed world. For instance, in Delhi, India, everyone was telling the Prime Minister that they had a water scarcity problem, but I was able to give him a new perspective that he wasn't hearing from his advisers or from the U.N. The real problem is the following: The average stay of a water utility manager is 30 months. And he's neither a water nor management expert. The only qualifications of these managers are how close they are to the mayor. If you put this type of person in the position to manage water, they look at it and see a horrendous problem and they just hope and pray that during their stay nothing will happen and the next fellow who comes along will hold the ball. That's got nothing to do with water. And yet the water profession goes around and says we're running short of water. And it's a bunch of rubbish.

But is there really a functional difference between a crisis of scarcity and a crisis of management? Either way, the people don't get water.
AB: There is a fallacy the world doesn't understand. Everyone in the world has access to water. Everyone. If you didn't, you'd be dead by now. The issue is whether the water is clean, drinkable, and how convenient is it to get that water. So even in the slums of the worst cities people have access, but it's not clean, they pay through the nose and supply is very erratic. The point I'm trying to make is that everyone has access. The question is can we give them better service, and much lower cost and much higher convenience. My view is that all three are possible.

Can management really make that big of a difference?
AB: Let us take the case of water supply for the city of Phnom Penh in Cambodia. In 1993, the Phnom Penh Water Supply Authority was flat broke. It needed heavy governmental subsidies to run a very inefficient operation. The institution was badly managed, corrupt to the core, lost 72% of its water due to unaccounted for losses, and even the rich and the powerful people, let alone the poor, did not have access to drinkable water. By improving its governance practices, it started to supply drinkable water on a 24-hour uninterrupted basis. This public sector company made a profit from its operation from 1997, which has progressively increased year after year since that time. The poor have access to water. In fact, their water bills have been reduced by 70 to 80% compared to what they used to pay to the water vendors earlier. In addition, the poor receive clean, drinkable water through house connections. The unaccounted for water now in Phnom Penh is 6.19%, which is less than 1/4th that of London, and very significantly less than Paris, New York or Los Angeles.

You used to think there was a water crisis, what led you to change your mind?
AB: I heard it so many times from the World Bank and the U.N. that there is a water crisis. Like the rest of the world, I assumed these guys knew what they were doing. But then I started looking at the global figures they put out and what assumptions they'd made. The assumption is that a city is in a crisis of scarcity if it doesn't have 1500 cubic meters of fresh water per person, per year. What they forget is elementary knowledge that water isn't like oil. Nobody really consumes it fully. Of 100% of the water that comes to your house, 99% goes back as waste water. The fundamental question becomes how do we manage our waste water so that it can be used and reused again and again. Singapore does this. That city has 300-350 cubic meters per person, per year, and they don't have a water problem. This is an issue of efficiency. I found that the total water use in 2005 in the United States is actually less than what it was in 1975 with much less population, economic activity and food requirement. And the US is just scratching the surface on efficiency.

Let's talk a little more about that efficiency. You say that, in many developing cities, water is currently being lost and, that, if you reduce those losses you could have enough water. Where does that lost water go?
AB: Nobody really knows. All we know is that a certain amount is pumped from the reservoir. And we know how much water consumers are using from metering. And if you deduct the consumption from the total, you'll see that-in the Western world-about 25% of the water disappears somewhere. Mainly probably due to leakages and bad maintenance. In developing countries, it's worse. There are very few cities who don't lose 45-60% of the water. And we have no clue where it goes. Probably 1/3 from leakages. The rest probably goes to people who pay to have an unauthorized connection to the system.

But can efficiency and better management really make up for all the uses of water? As population increases, we need to feed more people as well, and that also requires more water.
There is waste going on with food as well. Look at the U.S. There, 27% of food is lost between retail, households and restaurants. Basically thrown in the waste. What's that got to do with the developing world? I say it's even worse there. Last year, the Agriculture Minister of India publicly admitted that slightly over 50% of fruits and veggies produced in India never reach the consumer. Why? Because of poor supply chain. Poor refrigeration. Poor transport. My argument is simple. India doesn't have much land or water to spare. But instead of increasing agricultural yield or worrying about water supply, we should focus on how we can make sure that what we produce now reaches the consumer. If you do that, what you gain can easily feed the United Kingdom and France combined. Stop wastage and get food and water to the people. You increase the amount that's actually available by half without extra water, and without extra land.

Watch Asit Biswas' Nobel Conference lecture, and follow-up Q&A

Large image courtesy Flickr user futureatlas.com, via CC




A call to leak photos documenting torture in Iraq and Afghanistan

Posted: 16 Nov 2009 08:43 AM PST

As blogged previously, the Obama administration is blocking release of photos documenting torture in Iraq and Afghanistan by US forces - ironically, just as Obama speaks against censorship in China. The CPB says, "We think someone with access to the photos should simply leak them on the web, saving tax payers a load of cash and letting people know just what it is our twin occupations are really about."

Music video with naked human furniture: Valley Lodge

Posted: 16 Nov 2009 08:26 AM PST

Funnyman Dave Hill, who stars and performs in the music video embedded above, says,

This is the new Valley Lodge video for their song "All of My Loving." It's the story of a man tormented by his apartment furniture. Kind of like a naked Ethan Allen shoving his bait & tackle in your face all day long when all you really want is a hot girl in cute panties.

Oh, and there's a bear.

The video was produced with a company called Mekanism. Mr. Hill is doing standup shows this week at LA's UCB Theater, go check him out if you're in town.

New story podcast: MARTIAN CHRONICLES

Posted: 16 Nov 2009 08:21 AM PST

I've just started podcasting a new story: MARTIAN CHRONICLES is a story I'm working on for Jonathan Strahan's forthcoming LIFE ON MARS young adult anthology. It's a story about the colonization of Mars by free-market absolutists and the video-games they play.
They say you can't smell anything through a launch-hood, but I still smelled the pove in the next seat as the space-attendants strapped us into our acceleration couches and shone lights in our eyes and triple-checked the medical readouts on our wristlets to make sure our hearts wouldn't explode when the rocket boosted us into orbit for transfer to the *Eagle* and the long, long trip to Mars.

He was skinny, but not normal-skinny, the kind of skinny you get from playing a lot of sports and taking the metabolism pills your parents got for you so you wouldn't get teased at school. He was kind of pot-bellied with scrawny arms and sunken cheeks and he was brown-brown, like the brown Mom used to slather on after a day at the beach covered in factor-500 sunblock. Only he was the kind of all-over-even brown that you only got by being *born* brown.

He gave me a holy-crap-I'm-going-to-MARS smile and a brave thumbs-up and I couldn't bring myself to snub him because he looked so damned happy about it. So I gave him the same thumbs up, rotating my wrist in the strap that held it onto the arm-rest so that I didn't accidentally break my nose with my own hand when we "clawed our way out of the gravity well" (this was a phrase from the briefing seminars that they liked to repeat a lot. It had a lot of macho going for it).

The pove smelled like garbage. There, I said it. No nice way of saying it. Like the smell out of the trash-chute at the end of our property line. It had been my job to haul our monster-sized tie-and-toss bags to the curb every day and toss them down that chute and into the tunnel-system that took them out to the Spruce Sunset Meadows recycling center, which was actually *outside* the Spruce Sunset Meadows wall, all the way in Springville, where there was a gigantic mega-prison. The prisoners sorted all our trash for us, which was good for the environment, since they sorted it into about 400 different categories for recycling; and good for us because it meant we didn't have to do all that separating in our kitchen. On the other hand, it did mean that we had to have a double cross-cut shredder for anything like a bill or a legal document so that some crim didn't use it to steal our identities when he got out of jail. I always wondered how they handled the confetti that came out of the shredder, if they had to pick up each little dot of it with their fingernails and drop it into a big hopper labelled "paper."

Martian Chronicles, Part 01

MP3 Link

Podcast feed

Call of Duty: Secret Spielberg Level Unlocked

Posted: 16 Nov 2009 08:14 AM PST

Clémentine Henrion's Eternal Balloons made from fabric

Posted: 16 Nov 2009 08:04 AM PST

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Parisian artist Clémentine Henrion created these Helium Eternal Balloons. They're made from fabric. I think the effect is rather lovely. From Henrion's etsy shop:
This "illusion" of an helium balloon is entirely made of precious or fancy fabric. There is no helium in this Helium Eternal balloon : it is stuffed with kapok, like a soft pillow. A tiny flap fixed at the top of the balloon helps hanging it to your interior's ceiling, hook it to a curtain rod, the top of a wall etc. The key thing is to hang it up as high as possible, in order to recreate the magic illusion of a real flying helium balloon! The most beautiful effect is obtained in setting a bunch of several balloons together, forming a "balloons bouquet".
Clémentine Henrion (Thanks, Kelly Sparks!)

Slo-mo demolition of iconic Philadelphia Drexel smokestack

Posted: 16 Nov 2009 07:25 AM PST

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