The Latest from TechCrunch |
- Short Is Sweet: Postcards Begat SMS Begat Twitter
- What’s Right and Wrong with Media Now
- Dotcom Crash-era Startup Reanimates By Trending On Twitter
- CallWave Delists From NASDAQ; Fuze Meeting Rises From The Ashes
- Outsource Your Beta Testing To Prefinery (Invites)
- Microsoft And Linux Hold Peace Tweets
- Video: 50 Cent Confronts Sexman
- TechCrunch50: You Want Advertising? We’ll Give You Advertising
- The Inevitable Anti-U.S. Backlash Has Started On Kiva
- Want The Obama “Hope” Artwork On Your iPhone? Nope, Says Apple.
- Tweetmeme Wants To Be The King Of Retweets
- How To JailBreak the iPhone 3GS
| Short Is Sweet: Postcards Begat SMS Begat Twitter Posted: 04 Jul 2009 05:30 AM PDT
If I open up an email and see it filled with paragraphs of information, guaranteed my eyes are going to glaze over. Certainly sometimes it’s an important message that I do need to read, but most of the time it’s just a core message filled with paragraphs of bloat. I don’t want or need the bloat, I need the core message. And that’s why I love Twitter. You simply cannot go over 140 characters. And more often than you may imagine, that’s enough. Now, on the face of it, plenty of people will disagree with me on that point. But think about it. In an age where we’re bombarded by tons of information, from multiple angles, all day long, there is something beautiful about brevity. I used to read screenplays for a living. Trust me when I say that there is no shortage of people who can blather on about something to seemingly no end. But the skill in writing a screenplay often came down to if you could convey what you needed to convey in just a few lines. It’s not an easy thing to do — at all. And while it’s not quite the same because it’s even more compact, Twitter forces you do to a similar thing in its own way. And Twitter is hardly the only form of communication that has done this. Most users know by now that the 140 character limit of Twitter is actually tied to the limits of text messaging. Text messages can only be 160 characters long (Twitter needed to reserve the extra 20 characters for usernames). But do you know where the 160 character limit comes from?
And so you see, while you may think Twitter’s character limit is silly or frustrating, it’s actually born out of two other forms of communication that are widely accepted and used the world over. You may not think of Twitter being just like a postcard, but in some ways it is — one that you can instantaneously send to many friends or acquaintances at the same time. And minus the cost of a stamp. Even with the rise of technology, the lure of the short message remains. And that was the key reason why I found Twitter compelling when I first started using it over two years ago. I never thought of the limitation in a negative sense, but rather as something that could inspire creativity in messages. And could even spur communication. It’s liberating to know that you only have 140 characters or less to respond to something. For a lot of messages, that removes a huge burden of trying to say enough to the person you’re talking to so that they don’t think you’re being rude. With a 140 character limit, a correlation between briefness and rudeness doesn’t exist. And that’s why more and more I’m finding myself telling people, “Just message me on Twitter.” It’s a two-way street. I don’t want to have to read you go on and on about something that could be said in one line, and you won’t have to listen to me go on and on about something in response. Again, it won’t work for all messages, which is why Twitter or something like it will never kill email, but for a lot of messages, it works just fine. Characters and time are saved. It’s a limitation that is liberating. [photos: flickr/pink sherbert photography & inlaterdays]
Crunch Network: CrunchBoard because it’s time for you to find a new Job2.0 |
| What’s Right and Wrong with Media Now Posted: 04 Jul 2009 12:02 AM PDT
The good side is very good: thousands of layers of mostly needless middlemen and processes are being eliminated as journalists get a direct channel to their readers. And, because it's a two way medium, readers get that channel right back. And in the cases where the subject of an article has been wronged, the Web gives them powerful megaphones to fight back. In short, the more everyone has a voice, the more reporters are challenged to make sure they are right, because they will be called out. Look at what happened with the plagiarism scandal around Chris Anderson's new book. Anderson says it was a mistake around a change in how they were going to use citations, and I take him at his word. But it's safe to say any author who'd considered borrowing heavily from Wikipedia won't now. We like to think that we act virtuously because of personal or professional pride, but nothing enforces those ethics like the real possibility of getting caught and hugely embarrassed. But the bad side is also very bad. The elimination of those layers – typically fact checkers, editors, lawyers and just time to make sure a work is fully baked—also allows mistakes, lazy reporting, a dependence on rumors, and hot-headed, unfair treatment to subjects. Worse: The metrics around the Web make it crystal clear which kinds of stories drive the most traffic. That leads to salacious reporting for the sake of clicks and comments. It's easy to point the finger at blogs, especially by certain members of old media losing money quarter-after-quarter. (Cough, cough.) But this is not just a technology change as most corners of media are fighting for survival, it's become a cultural change. And this week, I've been struck by two non-blog examples that reflect the tension. Right about now most people reading this probably have guessed the example of salacious reporting and unfair treatment I'm driving at is Ben Mezrich's new book on Facebook. I'll say upfront I haven't read it. Galleys have been very closely guarded. Once I do read it, if everything everyone who has read it has told me is wrong, I'll apologize for what I'm about to say. But, on a professional level, I find the ethics behind this project disgusting. It's essentially a book based on talking to one source who had a falling out with the company just as it was moving to California and becoming more than a dorm room project. That's like someone writing a book about you based solely on what your old college ex-girlfriend or ex-boyfriend said. Mezrich has been clear to say he's never met or talked to Mark Zuckerberg in the intro and in interviews, but that doesn't stop him from drawing potentially damaging conclusions about his character and selling it as a non-fiction book that's getting made into a movie that people will take as fact. In contrast, I spent years and hundreds of hours interviewing and following the subjects of my last book, which as most people know, included Zuckerberg amid other Web 2.0 figures. And I'm about one-third of the way through research for my next book, which includes spending 40 weeks in other countries following entrepreneurs. It'd be a lot easier to write a narrative without that whole burden of actual reporting. If I could sit in Silicon Valley and make up what I think entrepreneurs in Africa are like, that'd sure help out on my bank account, my health and my neglected personal relationships. To be clear, I have no doubt Mezrich's book will sell better than mine and make a juicier movie. But I wouldn't swap the karma points. I don't know how you call yourself a non-fiction writer and publish a book about a living person that's based on you "imagining" what they are like. And let me tell you, having first interviewed him when he was 19 and spent countless hours with him since, the idea that Zuckerberg is some kind of sexed-up lethario is laughable fiction. Why didn’t Mezrich write a novel or a different non-fiction book that he actually knew something about? It just seems like a cheap way to get a film deal and sales since the “imagined” subject is also leading the hottest private tech company in the world right now. (Indeed, the film rights were reportedly sold before the book was written.) Even Mezrich's publicist admits as much, according to a New York Times Blog post where he said, "The book isn’t reportage. It’s big juicy fun." I'm guessing it's not fun for the people trying to build a company who Mezrich essentially calls womanizers, drug addicts and backstabbers. Probably not fun for their families, employees and investors either. If this is where media is going on a book level, magazine level or blog level—I want out. Contrast that to what's playing out with another hot non-fiction book that was also optioned for a film: Moneyball. Some people accuse Michael Lewis of taking some liberties with facts here or there, but I've never met one of his subjects who felt he was treated unfairly, including the subject of Moneyball, Billy Beane. Like his style or not, Lewis did his job: He invested countless hours reporting and wrote a book that told a dramatic story that also happened to be true. Recently, that book was also being made into a movie, to star Brad Pitt and be directed by Steven Soderbergh. The plug unexpectedly got pulled. It seemed Soderbergh reworked the script to be less a feature film version of things and more a real-life reenactment with some of the actual people playing themselves. Quippy anecdotes and funny lines were cut because they weren't actually said in real life. I've not been a huge fan of some of Soderbergh's more experimental work, and I don't know if his treatment would have made a better movie. But imagine: The people who are allowed to take the most liberties with a "true story"—the filmmakers—hewing more to the truth than an author who ostensibly gets paid to write the truth. The media world is upside down these days, and I hope when all the volatility is done we wind up on the Soderbergh side of things. Crunch Network: CrunchGear drool over the sexiest new gadgets and hardware. |
| Dotcom Crash-era Startup Reanimates By Trending On Twitter Posted: 04 Jul 2009 12:01 AM PDT |
| CallWave Delists From NASDAQ; Fuze Meeting Rises From The Ashes Posted: 03 Jul 2009 06:01 PM PDT
As far as startups go, the history of the company is pretty unique. CallWave was founded in 1998 and went public in 2004, trading on NASDAQ under the ticker symbol CALL. After reaching a peak soon thereafter of over $15 per share, the stock dropped steadily, dipping as low as 50 cents early this year. Deciding to cut its losses, the company delisted itself from NASDAQ on Monday after buying back shares from public shareholders at a 44% premium over the current market value and paying out a total of $10 million. CMO Patrick Moran says that the company did this on its own accord, and that its hand wasn’t pushed by any banks or VCs. CallWave will soon change its name to Fuze Box to reflect its new position as a startup. While all of this has been going on, CallWave has been building the “fuze platform” that powers Fuze Meeting, which it’s pitting as a sleeker, lighter, and cheaper alternative to services like WebEx. Last fall, the company decided to show off an early version of the product to some press, perhaps prematurely (it was labeled as “incomplete” by CNET). Finally in May, a full eight months after making its public debut, Fuze Meeting finally became commercially available. And only now that the company’s financial wranglings are complete is it ready to really announce it to the public. I played around with the complete version yesterday, and for the most part I was impressed. The application is slick and intuitive, and unlike some other screen sharing apps, Fuze Meeting requires no plugins — it should work on just about any browser, and also offers support for both the iPhone and BlackBerry. Screen sharing supports high resolution video sharing, allowing presenters to jump to any point in the video as each participant’s screen is updated in real time. Presenters can also annotate video frames, which will likely appeal to marketing organizations. While the service is currently working on acquiring free users, it is going to operate under a subscription model of $29 a month, or 12 cents per minute for users who would prefer to pay as they go. This is substantially cheaper than WebEx, but other less well known alternatives sport similar price points, so cost won’t be the only thing Fuze can rely on to differentiate itself. If you’d like to see a video of the service in action, check out the clip below. Warning: it features Moran’s kids, and may be too cute to handle. Fuze Meeting from Patrick Moran on Vimeo. Crunch Network: MobileCrunch Mobile Gadgets and Applications, Delivered Daily. |
| Outsource Your Beta Testing To Prefinery (Invites) Posted: 03 Jul 2009 05:48 PM PDT |
| Microsoft And Linux Hold Peace Tweets Posted: 03 Jul 2009 04:21 PM PDT
A couple of days ago, upon hearing that Microsoft had officially joined Twitter, the official Linux account sent out a tweet welcoming them. “Welcome to Twitter, @Microsoft!,” they said. The tweet sat unanswered for over a day, and it seemed like Microsoft may never answer. But about a few hours ago, they did. “@Linux thanks, nice to be here,” they replied. Short, sweet, and to the point. A sign of peace in the operating system ecosystem? Probably not. But it’s something — just look at the shirts that were going around in this war just a few years ago (above). Twitter is turning into quite the sanctuary for rivals to at least pretend to be nice to each other. Just look at Coke and Pepsi the other day.
[photo: flickr/will hybrid] [Thanks Russell] Crunch Network: MobileCrunch Mobile Gadgets and Applications, Delivered Daily. |
| Video: 50 Cent Confronts Sexman Posted: 03 Jul 2009 03:53 PM PDT
One of his most popular ones was a video from 4 months ago in which he calls out rapper 50 Cent. Sexman wonders how 50 still has “street cred” after doing endorsements for Vitamin Water, makeup and dildos (I’m not kidding). “What else is he gonna do? 50 Cent diapers for your little gangsta?,” Sexman wonders at one point. He concludes that 50 Cent is “just a media whore!” Well, 50 Cent has responded. Yesterday, the rapper posted a video alongside Sexman, who apparently flew from Canada to New York to meet up at the rapper’s request. Pure. YouTube. Gold. Here’s another old classic. Sexman’s review of the latest Rambo review. [thanks Corentin] Crunch Network: CrunchGear drool over the sexiest new gadgets and hardware. |
| TechCrunch50: You Want Advertising? We’ll Give You Advertising Posted: 03 Jul 2009 02:08 PM PDT Despite our best intentions, it looks like the DEMO v. TechCrunch50 war will continue, even with DEMO under new management. In 2007 we launched the first TechCrunch50 event - a place where companies can launch to rabid fans and tech press. These launching companies are the stars of the show, and they don’t pay a cent to attend. We thought DEMO’s longstanding policy of forcing launching companies to pay a $20,000 fee was ridiculous, and led the conference organizers to make decisions based not on the merits of the startups but simply on who was willing and able to pay. Not only do we let startups launch for free, we give the top one a $50,000 prize. Our conference has grown rapidly - nearly 2,000 people attended TechCrunch50 last year while DEMO languished in San Diego with a paltry few hundred. To be fair, our events were on the exact same dates, so they were hit doubly hard. This year we moved our dates to give them some breathing room. We thought we were done battling DEMO. But today DEMO announced that they’re giving away a “massive” prize - $2 million in advertising credits - to the top two startups at the event. The press is eating it up, saying that TechCrunch50 looks paltry in comparison. Of course, there’s a catch. The “advertising” is remnant stuff on IDG properties (IDG owns DEMO) and will certainly be priced at rate card. They’ll also charge for creative and other expenses. Meaning there is very little actual value. I’m guessing that the amount of advertising actually delivered would be in the tens of thousands of dollars of value, at best. And, of course, every startup launching still needs to pay to launch. But whatever. You want adverting? We’ll give you advertising. DEMO says they’ll give away $2 million in advertising (it might be $1 million total, they aren’t very clear). We’ll double whatever they’re giving. We’ll give away $4 million in advertising if they’re giving $2 million. And if DEMO increases their number, we’ll increase ours to stay at 2x whatever they are at. Our ads will be on our various TechCrunch networks sites and via our terrific sponsors, who are going to be adding their own inventory as well. We’ll give half to the top two winners, and half to everyone else who launches. We’ve always supported the startups that launch at TechCrunch50 in every way we can. Throwing in free advertising is easy. Let’s just take a look at the two events for comparison purposes. TechCrunch50: Free to launch, 2,000 attendees, $50,000 cash prize to winner. $4 million in free advertising. Awesomeness in a bottle. DEMO: $20,000 to launch your startup, maybe 500 attendees, $1 million in remnant unsold advertising on IDG properties to each of top two startups. The choice seems pretty clear to me.
Crunch Network: CrunchBoard because it’s time for you to find a new Job2.0 |
| The Inevitable Anti-U.S. Backlash Has Started On Kiva Posted: 03 Jul 2009 12:31 PM PDT When we reported on Kiva.org’s decision to open up its micro-lending platform to U.S. entrepreneurs, Kiva CEO Premal Shah told us he was concerned about backlash in the community. Shah acknowledged that the decision to open lending to U.S. recipients may draw criticism because it goes against the idea on which Kiva was founded—lending to help development in third world countries where credit options are limited. It looks like Shah’s prediction was correct. There is now a lending team on Kiva’s community platform titled “Unhappy Kiva Lenders.” The members, which total 375 lenders from around the world, are angry that Kiva is extending loans to U.S. entrepreneurs. The team’s page states that “including borrowers from the USA has undermined the very core of what made [Kiva] so unique and special; small, impactful contributions to entrepreneurs in impoverished situations in developing countries.” The tirade on the page is harsh, calling the decision “shameful and disgraceful” and a deviation from Kiva’s core mission. The group cites an example of a recent Kiva loan request from a U.S. entrepreneur who had a college degree and a career in architecture who wanted to start a business in website design. The loan he requested was for $7000 to start the business, an amount the lenders suggest could help 7 to 10 different borrowers in other parts of the world. Kiva’s stated mission is “to connect people through lending for the sake of alleviating poverty.” The anti-U.S. lenders claim that lending to U.S. entrepreneurs doesn’t alleviate poverty because Americans aren’t living in true poverty, compared to people in underdeveloped countries.
Some of that may be true. On the other hand, Shah makes a compelling case for the need for a micro-lending platform in the U.S. He says more than 10 million U.S. business owners face difficulty obtaining capital—even before the credit crisis and economic slowdown which made lending tight. And there’s no doubt that with the credit crunch creating a drought of lending, small businesses in the U.S. are finding it tough to find funds, especially if their financial history isn't stellar. Finally, there is nothing wrong with giving U.S. lenders the opportunity to boost entrepreneurship at home, especially at a time where jobs created by small businesses can help lift the economy out of a recession. It seems to me like the angry protests are misdirected. Kiva’s lending program has long been hailed as one of the more innovative platforms on the web and its ambitions have always been towards helping foster entrepreneurship (as well as alleviating poverty) in various areas of the world. Kiva’s decision to offer microlending to U.S. entrepreneurs reflects a genuine need for additional lending in the U.S. economy. And who knows? Kiva’s policy may attract a new crop of lenders who want to help at home first, and once they get hooked, spread capital overseas as well. The more capital that goes into the Kiva system, the more chance borrowers everywhere will have to eventually tap into it because many Kiva lenders simply recycle their loans as they are paid back. We’ve contacted Kiva.org for a formal response. Crunch Network: CrunchGear drool over the sexiest new gadgets and hardware. |
| Want The Obama “Hope” Artwork On Your iPhone? Nope, Says Apple. Posted: 03 Jul 2009 10:48 AM PDT
Apparently, Apple doesn’t like the way one piece of art in the app depicts President Obama. Is it out of line or tasteless? Well, you can determine for yourself, because you’ve undoubtedly seen the art in question before: It’s Shepard Fairey’s famous “HOPE” image of Obama that was everywhere during his Presidential campaign. So why on Earth would this be rejected? Well, here’s the wording in the rejection:
“Ridicules public figures”? This image is hanging in the National Portrait Gallery at the Smithsonian — yet, Apple apparently finds it inappropriate. To be clear, the app in question is a free demo app of Start Mobile’s galleries and contains a dozen images, but Apple is clearly just unnerved by the Obama one as you can see in the correspondence below which the developer has shared. Here’s Apple’s initial rejection letter:
Now, lest you think Apple is possibly rejecting the app because Start Mobile doesn’t have permission to use the artist’s work, Start Mobile has three other apps featuring the work of Shepherd Fairey that are already in the App Store. Okay, so maybe Apple’s isn’t comfortable with the bit of legal wrangling that is taking place over the artwork? That’s possible, but that’s not what it says in the rejection. And there are other applications like this one that use the image in question. And, you’ll notice, that’s not even the real version of the image, and it’s being used in the app’s icon. Why Apple would let that slip by and not this app? I have no idea.
So why doesn’t the developer just remove the offending images and get these apps approved? Well, because he doesn’t think he should have to, and believes this is just another case of the App Store approval process gone off the tracks. “You notice that my original email to you didn’t scream CENSORSHIP or anything like that. I am quite sure that this is simply what amounts to a clerical error. A billion apps sold. 50k apps. etc etc. So this is just growing pains on their part. But unfortunately, it effected us directly, and had we not done SOMETHING, the end result would have been what amounts to accidental censorship,” Start Mobile’s John Doffing told us over email. He goes on to note that he spoke with someone in developer relations a few weeks ago about the rejection, and they indicated that any apps that contain images of Obama may simply be getting rejected outright because there was a lot of “incendiary political content” that was coming through the App Store approval process around the time of the election. Sometimes “‘the baby is thrown out with the bathwater,” is what Doffing was told. Doffing said that openness about what was going on made him hopeful that the app would find its way to the App Store, but that apparently didn’t change anything. Sadly, this looks like yet another ridiculous App Store rejection. While Apple has no shortage of developers wanting to make apps for the platform, at some point, all of these ridiculous rejections run the risk of turning developers away. Apple badly needs to straighten out its policies and get a team in place that doesn’t make dozens of silly mistakes with regards to app approvals and denials. The system continues to be broken. Sure, Apple can do what it wants, but it’s asking developers to make apps for its store, which move iPhone and iPod touch units and make Apple all that money. Increasingly, the promise is that developers can earn a living off of the platform, or at least supplement their income. But they can’t do that if Apple keeps rejecting their apps for no apparent reason. Crunch Network: MobileCrunch Mobile Gadgets and Applications, Delivered Daily. |
| Tweetmeme Wants To Be The King Of Retweets Posted: 03 Jul 2009 09:36 AM PDT One of the most effective ways to amplify your message on Twitter is to get your followers to retweet it to their followers. Retweeting is also becoming a popular way to pass links around Twitter. They are becoming the new currency of the Web because of the power of passed links. One service in particular, Tweetmeme, is cornering the market on retweets by making it easy for blogs and other sites to add a retweet button to every page. You can see one at the bottom of this post, or the one at right. Just click on it, and it will take you to your Twitter account and populate a message with a “RT,” the headline, and a short link. Go ahead, do it now. Do it again. Okay, thanks. Lots of sites use Tweetmeme’s retweet button, and it drives a lot of its overall traffic. Nick Halstead, the CEO of Fav.or.it (Tweetmeme’s parent company) says that the buttons are so widespread right now that they are generating 196 million impressions a week More importantly, the retweet buttons will begin supporting URL shortening service other than bit.ly, and will include an option for sites to choose their own custom short URL. (For instance, we use http://tcrn.ch). Tweetmeme will also offer analytics for site owners to see how their retweets are spreading. Basic data will be free, and Tweetmeme will likely charge for more detailed analyticss. All of this, of course, also turns into valuable data for Tweetmeme to determine the most popular links and stories on Twitter, and makes Tweetmeme itself a better news aggregation site. Crunch Network: MobileCrunch Mobile Gadgets and Applications, Delivered Daily. |
| How To JailBreak the iPhone 3GS Posted: 03 Jul 2009 08:52 AM PDT |
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